Abstract: This paper examines the role of contemporary art as a medium for resistance, reconciliation, and cultural representation among Muslim women artists in Thailand’s conflict-affected Deep South. Focusing on the works of the Muslimah collective -- Arichama Pakapet, Heedayah Mahavi, Kufosiyah Nibuesa, Nuriya Waji, and their mentor Keeta Isran -- the study explores how these artists navigate identity, gender, and socio-political tensions through creative expression. Drawing from two journalistic sources documenting their exhibitions in Bangkok (2017, 2018-2019), the paper analyzes how their art challenges stereotypes, fosters interfaith understanding, and constructs alternative narratives of peace in a region marred by insurgency.
Key Words: Muslim women artists; Peacebuilding through art; Feminist geopolitics; Thailand’s Deep South conflict; Decolonial aesthetics; Interfaith dialogue.
