This thesis has been produced as a phased achievement under the General Program（21SKGH168） for Humanities and Social Sciences of the Chongqing Municipal Education Commission.
Abstract: From the perspective of field theory, the association between habitus and perception within museum spaces is examined. It has been observed that traditional exhibition layouts are often characterized by symbolic abstraction, spatial detachment, and overly dense textual interpretation, through which visitors’ habitus tends to become disconnected from historical perception. To address this issue, a habitus-oriented design scheme has been proposed and implemented in the semi-panorama The Chongqing Bombing, through which the gap between habitual cognition and perceptual experience has been effectively bridged. By analyzing the spatial perception optimization pathway that has been embodied in this semi-panorama, it is expected that practical strategies can be provided to enhance the effectiveness of historical and cultural communication undertaken through public art creation.
Keywords: The Chongqing Bombing; semi-panorama; field theory
